“One of the best if not the best guitarists in the world today.”
- Joe Bonamassa

THis event goes on sale to music hall members on Monday, September 18 at 11am and to the general public on Wednesday, September 20 at 11AM.

For assistance with tickets or memberships by phone, call the box office at 518-434-0776

Eric Gales is a blues firebrand. Over 30 years and 18 albums, his passion for the music and his boundless desire to keep it vital has never waned, even when his own light dimmed due to his substance struggles. Throughout it all, he continued to reinvigorate the art form with personal revelation in his lyrics and bold stylistic twists in his guitar playing and songwriting. 

Five years sober, creatively rejuvenated, and sagely insightful, Eric is ready for the fight of his career. Aptly, he calls his masterful new album, out January 2022 on Provogue/Mascot label Group, Crown. Here, Eric opens like never before, sharing his struggles with substance abuse, his hopes about a new era of sobriety and unbridled creativity, and his personal reflections on racism. The songs are delivered with clarity and feature Eric's personal experiences and hope for positive change. In addition, the 16-track collection boasts his finest singing, songwriting, and his signature guitar playing that burns throughout. Produced by Joe Bonamassa and Josh Smith, this is Eric at his most boldly vulnerable, uncompromisingly political, and unflinchingly confident.

The story behind Crown dates back to the early 1990s when as teenagers Eric and Joe were both hailed as blues wunderkinds and torchbearers. Eric is three years older than Joe, and Joe used to open for Eric. The pair went on to very different lives and careers, but Eric’s full potential was hampered by his substance abuse issues. “While I was dealing with my affliction, Joe’s career skyrocketed. I put myself in the backseat through my drug addiction. The world knows me, but the world doesn’t know me,” he says. In 2009, Eric hit bottom and served jail time at Shelby County Correction Center for possession of drugs and a weapon. 

Eric and Joe reconnected grandly in 2019 when Joe invited Eric to play with him onstage at a blues cruise encore performance. It was the first time the guys had played live together onstage in 25 years, and it has since been named one of the most explosive guitar duels ever, amassing over 3 million plays on YouTube. 

“There was always a brotherhood with us. When we reconnected, Joe said to me, ‘You’re a badass guitarist; it’s your turn to get your seat at the table to wear your crown’,” Eric recalls. Shortly after their iconic face-melting jam, Eric approached Joe to produce him. Eric reveals: “We cried when we talked about it, he said ‘you have no idea how long I waited for you, now I am going to do my part to lift you where you’re supposed to be.’” Crown finds Eric stepping up to receive his due.

Special Guest: Misty Blues

2019 International Blues Challenge finalist, Misty Blues, is led by lead singer/band founder Gina Coleman. The band is based out of Berkshire County, Massachusetts playing original and traditional blues with hints of jazz, soul, funk and tent revival gospel since 1999. The band has recorded with Eric Gales, Charles Neville and Joe Louis Walker, and opened for contemporary blues artists like Tab Benoit, James Montgomery, John Primer, Roomful Of Blues, Albert Cummings and Michael Powers. Misty Blues performs extensively throughout New England and has toured the continental U.S., Canada and the UK. The band has been nominated for a few Independent Blues Music Awards and their original recordings have broad international airplay.

In the summer of 1999 Gina Coleman was performing in the Williamstown Theatre Festival production of A Raisin In The Sun. That production featured the acting of Ruben Santiago Hudson, Viola Davis, Kimberly Elise and Gloria Foster. Coleman was cast as a gospel singer. Nearing the end of the show’s run, Ruben Santiago Hudson gave Coleman a cd collection entitled Men Are Like Streetcars. He told her that her voice was well suited for the blues and urged her to take that next musical direction. Coleman heeded his advance, and after a quarter of a century, Misty Blues has stood the test of time.